This advanced research seminar provides students the opportunity to study the topics of current research by staff and associates of the Centre for Art History and Art Theory. The topic of the seminar will change each semester to align with the course convenor's work, allowing students to develop professional research skills, by aligning their study and assessments with the course convenor's expertise.
Learning Outcomes
Upon successful completion, students will have the knowledge and skills to:
- evaluate the state of a subfield of art history and curatorial studies;
- design an advanced research project;
- question the distinction between research outputs and research outcomes; and
- work collaboratively as part of a research team.
Research-Led Teaching
The course draws upon the recent research of SOAD's Computational Culture Lab, including initiatives such as "Critical AI in the Art Museum" (2023) "Design Justice AI" (2024)" and "Documenting Digital Art" (2019-22).
Field Trips
There may be some field trips to art galleries, museums and similar organisations in Canberra. Full details will be posted in advance on Wattle and will be communicated to students via email.
Required Resources
All required readings will be available via Wattle/Leganto Library reading lists
Recommended Resources
Whether you are on campus or studying online, there are a variety of online platforms you will use to participate in your study program. These could include videos for lectures and other instruction, two-way video conferencing for interactive learning, email and other messaging tools for communication, interactive web apps for formative and collaborative activities, print and/or photo/scan for handwritten work and drawings, and home-based assessment.
ANU outlines recommended student system requirements to ensure you are able to participate fully in your learning. Other information is also available about the various Learning Platforms you may use.
Staff Feedback
Students will be given feedback in the following forms in this course:
- written comments
- verbal comments
- feedback to whole class, groups, individuals, focus group etc
Student Feedback
ANU is committed to the demonstration of educational excellence and regularly seeks feedback from students. Students are encouraged to offer feedback directly to their Course Convener or through their College and Course representatives (if applicable). Feedback can also be provided to Course Conveners and teachers via the Student Experience of Learning & Teaching (SELT) feedback program. SELT surveys are confidential and also provide the Colleges and ANU Executive with opportunities to recognise excellent teaching, and opportunities for improvement.
Class Schedule
Week/Session | Summary of Activities | Assessment |
---|---|---|
1 | [Intro to course] Duchamp Land vs Turing Land: Art and Curating in a Digital Age | |
2 | [Net Aesthetics 1] Art and Curating Online: Network Culture, Net Aesthetics & Site Specificity | |
3 | [Net Aesthetics 2] Curating after Social Media: Theory and Practice | |
4 | [Non-teaching week]: Draft and Submit Task 1 | Submission of Task 1 [1000 word analysis] |
5 | [Institutions 1] Vitality, Image Culture & Reproduction | Introduction to Major Project |
6 | [Institutions 2] Digital Programming in the Art Museum | NB: optional afternoon CASS Workshop with visiting scholars Matthew Fuller, Olga Goriunova and others |
7 | Research Workshop | Submission of Task 2 [Research Proposal] & Peer Feedback Workshop |
8 | [Advanced Technologies] NFTs and the Metaverse | |
9 | [Advanced Technologies] Critical AI in the Art Museum | |
10 | Research Workshop | Submission of Task 3 [Research Presentation] |
11 | [Practices and Politics] Data Colonialism & the Commons | |
12 | [Practices and Politics] Audiences of the Future | |
13 | Exam Period | Submission of Task 4 [Research Projects] |
Tutorial Registration
ANU utilises MyTimetable to enable students to view the timetable for their enrolled courses, browse, then self-allocate to small teaching activities / tutorials so they can better plan their time. Find out more on the Timetable webpage.Assessment Summary
Assessment task | Value | Due Date | Learning Outcomes |
---|---|---|---|
Case Study Analysis [Bibliographic Exercise] | 20 % | 15/08/2024 | 1 |
Curatorial Research Proposal [Draft Assignment] | 20 % | 16/09/2024 | 2,3,4 |
Research-in-process Presentation (5 mins / around 850 words) | 10 % | 10/10/2024 | 2,3,4 |
Curatorial Research Project | 50 % | 31/10/2024 | 1,2,3 |
* If the Due Date and Return of Assessment date are blank, see the Assessment Tab for specific Assessment Task details
Policies
ANU has educational policies, procedures and guidelines , which are designed to ensure that staff and students are aware of the University’s academic standards, and implement them. Students are expected to have read the Academic Integrity Rule before the commencement of their course. Other key policies and guidelines include:
- Academic Integrity Policy and Procedure
- Student Assessment (Coursework) Policy and Procedure
- Extenuating Circumstances Application
- Student Surveys and Evaluations
- Deferred Examinations
- Student Complaint Resolution Policy and Procedure
- Code of practice for teaching and learning
Assessment Requirements
The ANU is using Turnitin to enhance student citation and referencing techniques, and to assess assignment submissions as a component of the University's approach to managing Academic Integrity. For additional information regarding Turnitin please visit the Academic Skills website. In rare cases where online submission using Turnitin software is not technically possible; or where not using Turnitin software has been justified by the Course Convener and approved by the Associate Dean (Education) on the basis of the teaching model being employed; students shall submit assessment online via ‘Wattle’ outside of Turnitin, or failing that in hard copy, or through a combination of submission methods as approved by the Associate Dean (Education). The submission method is detailed below.
Moderation of Assessment
Marks that are allocated during Semester are to be considered provisional until formalised by the College examiners meeting at the end of each Semester. If appropriate, some moderation of marks might be applied prior to final results being released.
Participation
Students are expected to attend and participate in all seminars and workshops. A number of online international guest lectures will be delivered outside of scheduled class time, due to time zone incompatibility. The timings for these will be publicised on Wattle, and the talk will be archived online for those who are unable to attend due to caring, work or other responsibilities.
Assessment Task 1
Learning Outcomes: 1
Case Study Analysis [Bibliographic Exercise]
The goal of this task is for students to critically engage with different approaches to artmaking and curating online. You are required to select two different online art projects, which must be authored/organised by an artist, curator or cultural institution.
Students will write a comparative analysis essay about their chosen case studies. In their analysis, students should consider the strategies and decisions taken by the artist/curator or institution; the formal constraints and capabilities of technology used and their effect; how the projects respond to and engage audiences; and evaluate the overall effectiveness of the projects.
To assist finding an appropriate project, an initial list of online art portals, artworks and projects will be provided on Wattle. If there is a project not on this list that you’d like to write about, please consult with your tutor.
Word count: 2000 words
Value: 20%
Due Date: 15.8.2024 by 11:59pm
Presentation requirements: Submit via upload to Wattle. Written submission should be 12-point font, double spaced, using Chicago style referencing where needed (footnotes and bibliography).
Rubric
FAIL | PASS | CREDIT | DISTINCTION | HIGH DISTINCTION | |
---|---|---|---|---|---|
Choice of Case Studies LO1 | * Choice of case studies does not fit the task requirements, and/or displays little relevance to the task. | * Adequate choice of cast studies, but may not display a clear logic. Doesn’t enable strong connections/comparisons to be made. | * Solid choice of case studies, enabling some good connections/comparisons to be made. * Choice could demonstrate more critical/independent thinking. | * Very good choice of case studies, enabling strong connections/comparisons to be made. | * Excellent choice of case studies, enabling sophisticated connections/comparisons to be made. |
Contextualisation of chosen case studies LO1 | * Does not adequately contextualise chosen projects in terms of relevant historical, social, artistic and/or theoretical factors. | * Offers some, but limited contextualisation of projects in terms of some some historical, social, artistic and/or theoretical factors. * Brief and/or lacking clear relevance. | * Contextualises projects well in terms of relevant historical, social, artistic and/or theoretical factors * Demonstrates a good level of understanding, but could be more detailed. | * Identifies historical, social, artistic and/or theoretical contexts that are very relevant to the chosen projects. * Contextualises very well, demonstrating a very good level of understanding. | * Identifies historical, social, artistic and/or theoretical contexts that are extremely relevant to the chosen projects. * Contextualises extremely well, demonstrating a sophisticated level of understanding and synthesis. |
Consideration of User/Audience Experience LO1 | * Demonstrates little to no understanding of the project's engagement strategy, and how the chosen projects harness different approaches to the user. | * Demonstrates some understanding of the project's engagement strategy, and how the chosen projects harness different approaches to the user. But not analysed effectively. | * Demonstrates good understanding of the project's engagement strategy, and how the chosen projects harness different approaches to the user. Could be analysed in more depth. | * Demonstrates very good understanding of the project's engagement strategy, and how the chosen projects harness different approaches to the user. Analysed critically and effectively. | * Demonstrates excellent understanding of audience experience, and how the chosen projects harness different approaches to the user. Analysed in a sophisticated manner. |
Argumentation and Evaluation LO1 | * Lacks any clear argument. * Does not evaluate the effectiveness of the projects to support an independent argument. | * Does not present a strong argument. * Evaluation of the effectiveness of projects needs development. | * Clearly stated argument, with solid evaluation of the effectiveness of chosen projects. * Could be developed more critically and/or in more depth. | * Presents a strong argument, supported by very good analysis of the effectiveness of chosen projects. | * Presents an excellent, independent argument, supported by outstanding analysis of the effectiveness of chosen projects. |
Independent Research LO1 | * Displays no evidence of independent research. | * Displays little evidence of independent research. * Relies mainly on sources that are not scholarly/academic. | * Displays good evidence of independent research. * Some scholarly/academic sources are used, but could be relied on more thoroughly. | * Displays very good evidence of independent research. * Range of scholarly sources consulted, used effectively to back up analysis and argument. | * Displays excellent evidence of independent research. * Excellent range of scholarly sources consulted, used very effectively to support analysis and argument. |
Structure and organisation of essay LO1 | * Little to no structure to the essay. | * Adequate structure and organisation, but lacking clarity. | * Good overall organisation and structure of essay, clarity may fall down at points. | * Very good organisation and structure of essay. | * Excellent organisation and structure of essay. |
Clarity of written expression LO1 | * Poorly written with many spelling and grammatical errors. | * Adequately written, but with errors in grammar and spelling. | * Well written. Usually correct grammar and spelling. | * Fluently written. Minimal grammatical and spelling errors. | * Highly articulate, written in an eloquent style. Very few grammatical and spelling errors. |
Referencing and image labelling (Chicago Notes & Bibliography style) LO1 | * Inadequate referencing and image labelling. | * Adequate referencing and image labelling, but with mistakes and inconsistencies. | * Good referencing and image labelling, with a few mistakes. | * Careful referencing and image labelling, almost no mistakes. | * Meticulous referencing and image labelling. |
Assessment Task 2
Learning Outcomes: 2,3,4
Curatorial Research Proposal [Draft Assignment]
Assessment task 2 is a proposal for your Curatorial Research Project (described in Task 4). Students will work individually to develop their project ideas, with opportunities during the semester to present their research-in-process (Task 3) to the cohort for workshopping, feedback and discussion.
Your proposal should address the following sections:
Project description
Use brief, simple language to describe what you plan to do. This should present a compelling, engaging introduction to your project and your ideas.
Project goals and objectives
Describe what the project's goals and objectives are, and why they are important. The goals can be empirical, analytical and/or creative (strong projects may include a
range of different types of goals)
Research Context
What are the most important theories, practices and concepts (for example from curatorial practice and discourse, new media theory, art history and theory) that will inform your project? How will your project apply and engage with these theories? You should draw on case studies and texts from the course, supplemented with independent research.
Methodology
Provide a detailed plan of what you plan to do, and what methodologies you plan to use. Clearly articulate why your chosen methodology will help you achieve your
goals. This could include a timeline to completion and/or a research plan.
Potential risks and challenges
Are there any potential risks or challenges that you can foresee for your curatorial research? What strategies might you use to resolve them, if needed?
Word count: 2,000 words
Value: 20%
Due Date: 16th September, 2024, 11.59pm
Presentation requirements: Submit via upload to Wattle. Written submission should be 12-point font, double spaced, using Chicago style referencing where needed
(footnotes and bibliography). Students should make use of the template provided on Wattle.
Rubric
FAIL | PASS | CREDIT | DISTINCTION | HIGH DISTINCTION | |
---|---|---|---|---|---|
Project description LO 2 | * Project description is unrealistic, or without a practical framework. * Lacking in clarity and/or focus. | * Project description and proposed framework are overly generalised. * Improve needed in clarity, practicality and/or focus. | * Articulates a solid framework for the proposed project, with clear potential for development. * Project description may fall down in its clarity, concisely, practicality or focus. | * Articulates a realistic and focused framework for the proposed project. * Clear and concise in its description. | * Articulates a highly original, realistic and focused framework for the proposed project. * Clear, concise and convincing in its description. |
Project goals and objectives LO 2 | * Goals and objectives are lacking from the proposal. They are unclear and not informed by knowledge of relevant theories and issues in the area of curating digital art and culture. | * Goals and objectives are informed by limited knowledge of relevant theories and issues in the area of curating digital art and culture. * Goals and objectives are alluded to, but not clearly articulated. | * Goals and objectives are informed by some knowledge of relevant theories and issues in the area of curating digital art and culture. * Goals and objectives are stated, but they may be unclear. | * Goals and objectives are informed by good knowledge of relevant theories and issues in the area of curating digital art and culture. * Goals and objectives are clear, informed and realistic. | * Goals and objectives are informed by excellent knowledge of relevant theories and issues in the area of curating digital art and culture. * Goals and objectives are creative, critical and realistic. |
Research Context LO 1, 2 | * Demonstrates little to no understanding of theories, practices and concepts that are relevant to the proposal. * Does not apply theoretical background to project goals. * Analysis of theoretical background is insufficient and poorly developed. | * Demonstrates limited understanding of theories, practices and concepts that are relevant to the proposal. Key texts, examples or scholarly resources may be missing. * Does not effectively apply theoretical background to project goals. * Limited analysis of key theoretical concepts/issues. | * Demonstrates a solid understanding of some key theories, practices and concepts that are relevant to the proposal. * Could apply key theories/concepts/practices more thoroughly to project goals. * Analysis of key theoretical concepts/issues could be developed in more depth. | * Demonstrates a very good understanding of key theories, practices and concepts that are relevant to the proposal. * Defines and applies key theories/concepts to project goals. * Provides informed analysis of key theoretical concepts/issues/ practices. | * Demonstrates a comprehensive understanding of key theories and concepts that are relevant to the proposal. * Defines and applies key theories/concepts to project goals thoroughly and intelligently. * Provides independent and original analysis of key theoretical concepts/issues. |
Methodology LO 2 | * Project plan is unclear, illogical or unrealistic. * It is not clear what they project is, and what methodologies will be employed. * Project goals and methods are insufficiently linked. | * Logic and planning of project needs improvement. Much more consideration needs to be given to feasibility, timeline and workflow. * Some methodologies are proposed, but they are lacking in feasibility and/or relevance. * Unclear how methodologies will support the project's goals. | * A solid project plan is included, but it needs development and clarity. More consideration needs to be given to feasibility, timeline and workflow. * Proposed methodologies may not be fully feasible, relevant, or thoroughly thought through. * Stronger arguments need to be made about how the chosen methodologies will support the project's goals. | * A very good project plan is included, which can be refined further. Consideration is given to feasibility, timeline and workflow. * Proposed methodologies are realistic and relevant. * The applicability and suitability of the methodologies are argued for well. Very good connections made to project goals. | * An excellent, realistic project plan is included. Strong consideration is given to feasibility, timeline and work * Proposed methodologies are imaginative, realistic and relevant. * The applicability and suitability of the methodologies are convincingly argued for. Outstanding connections made to project goals. |
Potential risks and challenges LO 2 | * Does not attempt to identify and address potential risks and challenges. | * Identifies potential risks and challenges, but only in a cursory or minimal manner. | * Identifies relevant potential risks. May not demonstrate clear/realistic strategies to overcome them. | * Identifies important and relevant potential risks, and includes realistic strategies to overcome them. | * Identi and relevant potential risks, and includes realistic, thoroughly considered strategies to overcome them. |
Referencing and image labelling (Chicago Notes & Bibliography style) LO 1, 2 | * Inadequate referencing and image labelling. | * Adequate referencing and image labelling, but with mistakes and inconsistencies. | * Good referencing and image labelling, with a few mistakes. | * Careful referencing and image labelling, almost no mistakes. | * Meticulous referencing and image labelling. |
Assessment Task 3
Learning Outcomes: 2,3,4
Research-in-process Presentation (5 mins / around 850 words)
In week 7 of class, we will gather together for a group research workshop. We will collectively discuss the development and progress of each others' research projects, and offer feedback. Each student will have the opportunity to present for a maximum of 5 minutes, followed by class feedback and discussion.
Each presentation should briefly address the following points:
1. Situating the Research
Give a short, succinct overview of what you plan to do, and the underpinning research questions/research problem/creative issues informing your curatorial project.
2. Contextual Review
Briefly present the research you have done to date that has helped you to understand the critical and creative parameters of the project: how are you using existing literature, case studies and examples of institutional practice to help shape your research project?
3. Methodology
What tools, conceptual frameworks, formats are you developing or using as part of your research project? What progress have you made to date, and what will you do with the remaining timeline?
4. Outcomes
What are the anticipated outcomes of the project? Have they changed since the project started?
5. Evaluation
What emerging challenges are you facing? What aspects of the project do you need help with, or feedback on, by the group?
Word count: 5 mins (approx 850 words)
Value: 10%
Due Date: Presentations are scheduled for Week 10 of class, 10th October 2024, 9am. Please speak with Katrina if you have any special requirements for your presentation in class.
Presentation requirements: In addition to presenting in class, you are asked to also upload your slides to Wattle by 11:59pm on 10th October 2024.
Rubric
FAIL | PASS | CREDIT | DISTINCTION | HIGH DISTINCTION | |
---|---|---|---|---|---|
Situates the research project, its goals and outcomes in an effective and engaging manner LO 2, 3, 4 | * Fails to clearly describe and present the research for the audience. * Little to no articulation of the goals and/or emerging outcomes of the project, and their relationship. | * Presentation of the research is limited and/or unclear at points. * Doesn't sufficiently articulate the goals and/or emerging outcomes of the project, and their relationship. | * Describes the research, but clarity of presentation may fall down at points. * Outlines the projects goals and/or anticipated outcomes, but doesn't make enough critical connections between the two. | * Presents the research in a way that is clear and engaging. * Clearly outlines what the project's goals are, and considers how the project's anticipated outcomes are being realised or diverging from its goals. | * Presents the project in a way that is sophisticated and highly engaging. * Clearly outlines the project's goals , and intelligently analyses the research process as it stands, and if/how it is diverging from its goals. |
Critically reflects on project progression and development, identifying areas requiring further support. LO 1, 2, 3, 4 | * Fails to reflect on the project's development, unable to articulate a clear view of how the research process is unfolding. | * Offers a basic account how the emerging research is progressing, but without an critical reflection on its opportunities and challenges. | * Reflects on the development of the research, but could be done with more depth or rigour. | * Reflects carefully and precisely on the research process and its limits, from both a critical and practical perspective, supported by research. | * Reflects critically and analytically on the formulation of the curatorial research, synthesising theory and practice, to offer an account of its progress and limits. |
Structure and duration of presentation LO 1, 4 | * Lacking any signi structure or organisation. * Does not keep to time | * Adequately structured but needs work. * Does not use time effectively. | * Effective presentation, but structure could convey ideas more clearly. * May not keep to time or use time effectively. | * Very effective, clear and well structured presentation. * Keeps to time. | * Extremely effective, imaginative and well structured presentation. * Keeps to time. |
Research Workshop Participation LO 4 | * Inadequate participation. Failure to engage with peer presentations in the form of feedback, questioning or engaged listening. | * Adequate participation. Some limited assistance offered to peers in workshop, in terms of questions, feedback and support. | * Good participation. Contribution to workshop in the form of engaged and active listening, peer encouragement and respectful feedback. | * Very good participation. Able to contribute draw on research perspectives and critical concepts to support the development of peer research. | * Excellent participation. Applies valuable research perspectives in discussing the work of peers, identifying relevant/helpful questions to support research innovation. |
Assessment Task 4
Learning Outcomes: 1,2,3
Curatorial Research Project
You are invited to develop a self-directed curatorial research project that responds to the discursive, institutional, logistical and practical challenges of digital curating in the art museum. During the course, you will be exposed to different formats, practices and strategies for curatorial interventions in the field of digital art and culture. You are welcome to borrow from these experimental formats in developing your project. Possible examples include - but are not limited to:
- A digital strategy discussion document that critically evaluates the digital activity of an existing cultural organisation, identifies new opportunities for commissioning, audience engagement and public programming. Institutions interested in this work include (but are not limited to) Photoaccess (Canberra), ACCA (Melbourne), the Flickr Foundation (USA/online).
- A proposal/prototype for an independent curatorial project that might be realised online, or a hybrid of online/offline.
- A proposal for a curatorial intervention into an existing digital platform or art institution.
- A position paper or research paper on an aspect of digital art, culture and curatorial practice that you feel needs urgent addressing. This could be realised as a text, online manifesto, or other experimental format.
- A proposal for a curatorial intervention for "Platform Blues", an event happening in Canberra on 21st November with the Institute of Network Cultures https://networkcultures.org/geert/2024/06/09/platform-blues/
- A curatorial proposal which speculatively/creatively engages with the problem of 'curating the internet' or 'curating social media'.
This summative project will build on the formative project proposal undertaken in Assessment Task 2, and the feedback received in Task 2 and 3.
Word count: 3,000 words, or an equivalent format to be negotiated with Katrina.
Value: 50%
Due Date: Thursday 31st October, 11:59pm [Exam Period]
Rubric
FAIL | PASS | CREDIT | DISTINCTION | HIGH DISTINCTION | |
---|---|---|---|---|---|
Demonstrates a clear and informed connection to relevant themes/topics/elements of the course LO 1, 2, 3 | * Project displays no clear connection to relevant themes of the course. | * Project displays some connections to relevant themes of the course, but they are generalised, limited or unfocused. | * Project demonstrates a solid connection to at least one relevant theme/topic/element of the course. | * Project demonstrates an informed connection to relevant themes/topics/elements of the course. | * Project demonstrates a sophisticated, innovative and informed connection to relevant themes/topics/elements of the course. |
Guided by a clear research strategy, and uses a methodology and format that is effective in realising those goals LO 2, 3 | * Project demonstrates no clear research goals. * Methodology is poorly conceived, is not effective in realising research goals. | * Project may demonstrate some research goals, but they are unclear and/or lacking focus or relevance. * Choice of methodology and effective in realising research goals, or may be poorly conceived. | * Project displays some research goals, but they may be unclear or underdeveloped. * Project has displayed a clear methodology, but its methods and format may not be entirely effective in realising its stated goals. | * Project is informed by clear research goals that engage well relevant theoretical and critical frameworks. * Project methodology and effective in realising its stated goals. | * Project is informed by intelligent research goals that engage thoroughly and astutely with relevant theoretical and critical frameworks. * Project methodology and extremely well conceived and effective in realising its stated goals. |
Engages with the chosen theme/topic in a critical, rigorous and creative way LO 1, 2 | * Project does not engage with its theme/topic in a rigorous way. * No evidence that the project is informed by critical engagement with relevant practices, literature or scholarship. * May be significant problems in the creative design of the project. | * Project is overall lacking rigour in its engagement with its chosen theme/topic. * Little evidence that the project is informed by critical engagement with relevant practices, literature or scholarship. | * Project demonstrates a careful and thoughtful engagement with its chosen theme/topic, but could demonstrate more critical rigour. * Good evidence that the project is informed by engagement with relevant creative practices, literature or scholarship. Could be demonstrated in more depth or detail. | * Project demonstrates a rigorous and informed engagement with its chosen theme/topic. * Very good evidence that the project is informed by critical engagement with relevant creative practices, literature or scholarship. | * Project demonstrates a independent, rigorous and informed engagement with its chosen theme/topic. * Excellent evidence that the project is informed by outstanding critical engagement with relevant creative practices, literature or scholarship. |
Reflects conceptual progression and development from proposal to realisation LO 2 | * Project demonstrates no progression or development from proposal to realisation. | * Project displays some development from proposal to realisation, but limited and minimal. * It may not have meaningfully engaged with and applied feedback. | * Project displays solid development from proposal to realisation. * Has clearly engaged with and responded to feedback, but could have been in more depth. | * Project displays very good development from proposal to realisation. * Has thoroughly engaged with and responded to feedback, in a way that clearly enhances the project's overall success and effectiveness. | * Project displays excellent, focused and strategic development from proposal to realisation. * Has thoroughly and independently engaged with and responded to feedback, in a way that significantly enhances the project's overall success and effectiveness. |
Academic Integrity
Academic integrity is a core part of the ANU culture as a community of scholars. The University’s students are an integral part of that community. The academic integrity principle commits all students to engage in academic work in ways that are consistent with, and actively support, academic integrity, and to uphold this commitment by behaving honestly, responsibly and ethically, and with respect and fairness, in scholarly practice.
The University expects all staff and students to be familiar with the academic integrity principle, the Academic Integrity Rule 2021, the Policy: Student Academic Integrity and Procedure: Student Academic Integrity, and to uphold high standards of academic integrity to ensure the quality and value of our qualifications.
The Academic Integrity Rule 2021 is a legal document that the University uses to promote academic integrity, and manage breaches of the academic integrity principle. The Policy and Procedure support the Rule by outlining overarching principles, responsibilities and processes. The Academic Integrity Rule 2021 commences on 1 December 2021 and applies to courses commencing on or after that date, as well as to research conduct occurring on or after that date. Prior to this, the Academic Misconduct Rule 2015 applies.
The University commits to assisting all students to understand how to engage in academic work in ways that are consistent with, and actively support academic integrity. All coursework students must complete the online Academic Integrity Module (Epigeum), and Higher Degree Research (HDR) students are required to complete research integrity training. The Academic Integrity website provides information about services available to assist students with their assignments, examinations and other learning activities, as well as understanding and upholding academic integrity.
Online Submission
You will be required to electronically sign a declaration as part of the submission of your assignment. Please keep a copy of the assignment for your records. Unless an exemption has been approved by the Associate Dean (Education) submission must be through Turnitin.
Hardcopy Submission
For some forms of assessment (hand written assignments, art works, laboratory notes, etc.) hard copy submission is appropriate when approved by the Associate Dean (Education). Hard copy submissions must utilise the Assignment Cover Sheet. Please keep a copy of tasks completed for your records.
Late Submission
Late submission permitted. Late submission of assessment tasks without an extension are penalised at the rate of 5% of the possible marks available per working day or part thereof. Late submission of assessment tasks is not accepted after 10 working days after the due date, or on or after the date specified in the course outline for the return of the assessment item. Late submission is not accepted for take-home examinations.
Referencing Requirements
The Academic Skills website has information to assist you with your writing and assessments. The website includes information about Academic Integrity including referencing requirements for different disciplines. There is also information on Plagiarism and different ways to use source material. Any use of artificial intelligence must be properly referenced. Failure to properly cite use of Generative AI will be considered a breach of academic integrity.
Extensions and Penalties
Extensions and late submission of assessment pieces are covered by the Student Assessment (Coursework) Policy and Procedure. Extensions may be granted for assessment pieces that are not examinations or take-home examinations. If you need an extension, you must request an extension in writing on or before the due date. If you have documented and appropriate medical evidence that demonstrates you were not able to request an extension on or before the due date, you may be able to request it after the due date.
Resubmission of Assignments
Resubmission of individual assignments is not permitted.
Privacy Notice
The ANU has made a number of third party, online, databases available for students to use. Use of each online database is conditional on student end users first agreeing to the database licensor’s terms of service and/or privacy policy. Students should read these carefully. In some cases student end users will be required to register an account with the database licensor and submit personal information, including their: first name; last name; ANU email address; and other information.In cases where student end users are asked to submit ‘content’ to a database, such as an assignment or short answers, the database licensor may only use the student’s ‘content’ in accordance with the terms of service – including any (copyright) licence the student grants to the database licensor. Any personal information or content a student submits may be stored by the licensor, potentially offshore, and will be used to process the database service in accordance with the licensors terms of service and/or privacy policy.
If any student chooses not to agree to the database licensor’s terms of service or privacy policy, the student will not be able to access and use the database. In these circumstances students should contact their lecturer to enquire about alternative arrangements that are available.
Distribution of grades policy
Academic Quality Assurance Committee monitors the performance of students, including attrition, further study and employment rates and grade distribution, and College reports on quality assurance processes for assessment activities, including alignment with national and international disciplinary and interdisciplinary standards, as well as qualification type learning outcomes.
Since first semester 1994, ANU uses a grading scale for all courses. This grading scale is used by all academic areas of the University.
Support for students
The University offers students support through several different services. You may contact the services listed below directly or seek advice from your Course Convener, Student Administrators, or your College and Course representatives (if applicable).
- ANU Health, safety & wellbeing for medical services, counselling, mental health and spiritual support
- ANU Accessibility for students with a disability or ongoing or chronic illness
- ANU Dean of Students for confidential, impartial advice and help to resolve problems between students and the academic or administrative areas of the University
- ANU Academic Skills supports you make your own decisions about how you learn and manage your workload.
- ANU Counselling promotes, supports and enhances mental health and wellbeing within the University student community.
- ANUSA supports and represents all ANU students
Convener
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Research Interestshttps://researchers.anu.edu.au/researchers/sluis-k |
Katrina Sluis
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Instructor
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Research Interests |
Katrina Sluis
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